Study in China

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  A view looking north over Tittenhurst Park.

Imagine: John Lennon (1988) By ALLAN KOZINN Published: October 2, 1988 ''We were out to create a balanced portrait of John Lennon, not an idealized vision of St. John of Liverpool,'' says the director Andrew Solt of his documentary, ''Imagine: John Lennon,'' which opens Friday. ''John Lennon had an edge to him, and we show that, along with many other facets of his personality that were captured on film over the years. ''We were out to create a balanced portrait of John Lennon, not an idealized vision of St. John of Liverpool,'' says the director Andrew Solt of his documentary, ''Imagine: John Lennon,'' which opens Friday. ''John Lennon had an edge to him, and we show that, along with many other facets of his personality that were captured on film over the years. Lately, it has been suggested that we as a generation have been duped - that Lennon's life was just one

A Tittenhurst Park guide. It maps out the The Lodge and the Guest House, these were occupied by various visitors from 1969-1971, including Michael X, Oz Magazine editors and musicians. The Main House has the White Room, and John & Yoko's Bedroom with balcony overlooking the immense grounds. The original swimming pool site at the left has been demolished, and a new Summer House/Palm House built in it's place five years ago.

Ringo bought Tittenhurst Park from John Lennon on the 18th September 1973, and moved his family into the twenty-six room mansion. The recording studio that John had installed was duly named Startling Studio and opened for hire. Ringo also started Wobble Music Ltd., a music publishing company. He also contributed some drum work to George's

Still from 'Imagine' showing rear elevation of the main house at Tittenhurst Park. 1971

  The guitar riff from "Breaking the Law" is one of the most recognizable from early 1980s heavy metal. Though British Steel sounds dated these days, it's also a classic slice of metal, one of the best from a band that defined the genre in the late '70s and early '80s. Everything that ultimately became characteristic of heavy metal is here, from the lightning-fast riffs on "Rapid Fire," the anthemic "Metal Gods," and "United" to the obligatory party song "Living After Midnight" to the equally obligatory youth-rebellion song, "You Don't Have to Be Old to Be Wise." British Steel is unquestionably Priest at their peak. The 2001 remastered reissue includes two b

Bellini's St. Francis. Giovanni Bellini (1430 – 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Mr. Thomas Holloway, one of Tittenhurst Park's former residence is said to have acquired lots of art, especially one particular beautiful painting by Bellini of 'St. Francis'. The Bellini and its companions adorned the billiard room at Tittenhurst until the death Holloway, who bequeathed them to hi

August 1, 1969: John Lennon and Yoko Ono move to Tittenhurst Park, an eighty acre estate in Ascot. September 1, 1969: John Lennon returns his MBE. He says it is to protest the British government’s involvement in Biafra, its support of the U.S. in Vietnam and the poor chart performance of his latest single, “Cold Turkey.” September 12, 1969: John Lennon appears at the Toronto Rock ‘n’ Roll Revival concert, accompanied by Eric Clapton, Klaus Voormann, Alan White and Yoko. ‘The Plastic Ono Band – Live Peace in Toronto’ is released in December. September 13, 1969: John Lennon appears at the Toronto Rock ‘n’ Roll Revival concert, accompanied by Eric Clapton, Klaus Voormann, Alan White and Yoko Ono. ‘The Plastic Ono Band – Live Peace in Toronto’ is released in December. December 16, 1969: “War Is Over! If You Want It!” billboards go up in 11 cities around the world, as a Christmas message from John Lennon and Yoko Ono. April 5, 1970: “Instant Karma (We A

  'Tittenhurst Park' 1972 by Clive Alan

Claude Chamberlan, Dimitri Eipides, John Lennon, Yoko Ono. Claude Chamberlan with his old pal Dimitri Eipides - the two Montreal indie-film makers who own Cinéma Parallèle and the Festival du Nouveau Cinéma in Canada.

John Lennon and Yoko Ono had separate "His and Hers" gold toilets in their bedroom's en-suite bathroom at Tittenhurst Park. ..these were ripped out and sold at auction. If anyone knows the whereabouts of an ostentatious 'Crapper' or two? Then contact me or mail a pic! :-/

by Yoko Ono Climb up a ladder. Look at the painting on the ceiling with a magnifying glass, and find the word ‘YES’ The interactive object known as Ceiling Painting was an important work shown at Ono's historic 1966 Indica Gallery show in London. The viewer is invited to climb a white ladder, where, at the top, a magnifying glass, attached by a chain, hangs from a frame on the ceiling. The viewer uses the reading glass to discover a block letter "instruction" beneath the framed sheet of glass-it says "YES." It was through this work that Ono met her future husband and longtime collaborator, John Lennon. Q: How did you meet Yoko? John Lennon: There was a sort of underground clique in London; John Dunbar, who was married to Marianne Faithfull, had an art gallery in London called Indica, and I'd been going around to galleries a bit on me off days in between records, also to a few e

A document of Yoko's last art exhibition with John Lennon in a museum of New York, 1972. Not only the art objects they displayed, the film describes, but also how they, Yoko and John , themselves became art. At the last part, a "Pioano Piece" by Yoko in which people including John and Yoko are just hitting the surface of a closed piano is overwhelming. Narrated by an interview with Yoko on the exhibition.

by Yoko Ono Yoko Ono is asked to pose in her maze titled AMAZE. Dutifully she walks into the centre of it and tries to return by using the same route. Suddenly she gets lost. The group of reporters standing outside tries to guide her back: "Go to the left, go there." "Yes, this resembles life", she laughs as she manages to return. "In life you think you

  by Yoko Ono, 1971 1) Make sure that your mind is not clogged with heavy burdens such as: resentment, anger, secrets and the past. They can be heavy. 2) Make sure that your body is not clogged with excess fat and excrements. 3) Make sure that your wings are light and free. This is the most difficult proposition. Your wings cannot be free unle

  by Yoko Ono Indica Gallery 1966 PLAY IT BY TRUST aka WHITE CHESS SET (1966) Play it for as long as you can remember who is your opponent and who is your own self. Yoko Ono Play It By Trust presents an all-white chessboard with all-white pieces, and alludes to the ideal of chess championed by Marcel Duchamp as "the landscape of the soul." Ono's game demands the ultimate abstraction by leaving all but the first few moves to be played entirely in the mind. With minimal and conceptual means so typical of her art, she reduces the game to its fundamental structure-an opposition defined by black versus white-to provoke a sage contemplation: How to proceed when the opponent is indistinguishable from oneself? YO: When I created Play It By Trust I wasn’t thinking about Duchamp at all. Many artists have worked with chess, but they usually worked with the decorative aspect of the chess pieces. I wanted to create a new chess game, making a fundamental rather than deco

Yoko Ono - Indica Gallery November 1966

An interview by Steve Turner 1971 We came together to talk about Grapefruit, Yoko's book of poems, and ended up talking about Jesus. Somewhere in between, we mentioned the Beatles. John and Yoko are currently facing the plight of 'super-stardom'. Within two weeks they had become the third set of artists I had met who were complaining of being sold as people rather then for their art or for their music. James Taylor was the first, complaining of being used only as a headline or a photograph to sell more newspapers, and Pete Townsend was equally determined that "he won't get fooled again" into being a "superstar". "Being misunderstood", John explained, "is being treated as if I'd won the pools and married an Hawaiian dancer. In any other country we're treated with respect as artists, which we are. If I hadn't bought a house in Ascot I'd l

Yoko Ono Cannes Film Festival, May 1971 Many people believe that in this age, art is dead. They despise the artists who show in galleries and are caught up in the traditional art world. Artists themselves are beginning to lose their confidence. They don’t know whether they are doing something that still has value in this day and age where the social problems are so vital and critical. I wondered myself about this. Why am I still an artist? And why am I not joining the violent revolutionaries? Then I realised that destruction is not my game. Violent revolutionaries are trying to destroy the establishment. That is good. But how? By Killing? Killing is such an artless thing. All you need is a coke bottle in your hand and you can kill. But people who kill that way most often become the next establishment after they’ve killed the old. Because they are using the same method that the old establishment

You Are Here (1968) by John Lennon

You Are Here (1973) by John Lennon

Thursday The Wedding Album - Japanese 1977 Reissue 1977 Japanese reissue. Top row shows front of box, "Press" book, and front of gatefold LP cover. Bottom row shows lyric booklet, cake photo, litho poster, and wedding photo poster. Certificate of marriage glued inside front box cover, and 8-Track tape cartridge Postcard and Japanese EAS-80702 label Photo strip and the cardboard "piece of cake" Yoko, John, and stranger, from the front box cover

This line is part of a very large circle by Yoko Ono

Yoko Ono and John Lennon were married on March 20, 1969 in Gibraltar. They honeymooned in Amsterdam.

John's pursuit of The Answer had led to a new possible source. The Maharishi Mahesh Yogi, a comical little Indian with lank shoulder-length hair and a giggly falsetto voice, suddenly seemed to offer what he had been seeking. All four Beatles, kaftaned and beaded, sat at the yogi's feet to listen to his Buddhist wisdom. This was mysticism in an easily digested, tabloid form, instantly appealing to young earthly gods for whom real self-denial was unthinkable. His route to spiritual regeneration involved no special training, no memorising of complex prayers or incantations, and next to no personal inconvenience. It was bliss without effort. John Lennon and Yoko Ono in Amsterdam in 1969 where they held a honeymoon 'bed-in' for peace They travelled to his ashram in India in a huge gang of celebrities, including the folk singer Dono

John Lennon at the piano in the White Room at Tittenhurst Park, Berkshire

Reconstruction of Room 902 at the Amsterdam Hilton where John Lennon and Yoko Ono staged their Bed-In for Peace in March, 1969. Based on photographs by Nico Koster, Bert Sprenkeling, Claude Vanheye, Cor Jaring and various TV footage. From "In Bed with John and Yoko" by Jan-Cees ter Brugge, Jan van Galen and Patrick van den Hanenberg, March 2009 Celebrating 40 years anniversary of The Bed-in for Peace: February 2009 From the 21st until the 29th of March a commemoration about the legendary Bed-in for Peace was held in the Hilton Amsterdam with a tripartite photo exhibition 'From Holland with Peace'. Bed-in for Peace Beatle John Lennon and his wife Yoko Ono stayed in the Hilton Amsterdam hotel during their honeymoon in March 1969 and stayed in bed for 7 days in room 902 ( now 702 ). During this so-called ‘Bed-in for Peace’ they spoke about peace with the international press.

Photgraph by Joseph Sia

On September 1st 1969, after The Isle of Wight Festival, Dylan arrived by helicopter at Tittenhurst Park to meet John and Yoko, he refused to participate in a recording session at Ascot Sound Studios, although he did unwind and relax with John and Yoko at Tittenhurst before flying back to the States.

  John Lennon and Yoko Ono together inside a building. John is wearing a black leather jacket and has a large beard, and Yoko is positioned to the far left of the image (just in shot). 1969 Fan Photograph of John Lennon and Yoko Ono at Grapefruit launch, a fan is next to Yoko Ono, who wears dark glasses, while John has Grapefruit book in his shirt and flower in his lapel. 1970